Up to Washington D.C. (life therein) - September 2011 and onward

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National Portrait Gallery & American Art Museum


Page 2 of 2.
Click on images below to enlarge:
Luce Foundation Center for American Art
The three story mezzanine that is the Luce Foundation Center for 
American art, as seen looking down the from the top floor.  It's a 
beautiful space.
A panorama of the Luce Foundation Center, as seen from the uppermost 
floor at one end of the mezzanine.  Note the many aisles of stuff!
A sign explaining the different types of glass art.  I know how to do 
two.
A sample of the glass art on nearby shelves.  I like the marbles and 
especially like the fish and snail.  Although the fish looks means, 
there's something oddly appealing about it.
The three story mezzanine that is the Luce Foundation Center for American art, as seen looking down the from the top floor. It's a beautiful space.
A panorama of the Luce Foundation Center, as seen from the uppermost floor at one end of the mezzanine. Note the many aisles of stuff!
A sign explaining the different types of glass art. I know how to do two.
A sample of the glass art on nearby shelves. I like the marbles and especially like the fish and snail. Although the fish looks means, there's something oddly appealing about it.
A sign explaining why bronze comes in different colors.
John Rogers carved detailed scenes.  Unlike many Europeans, he carved 
"Genre" scenes, not neoclassical ones.  Also, he worked in terracotta 
and plaster, not marble.  But his carvings are no less exacting than 
those by his European counterparts.
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A sign explaining why bronze comes in different colors.
John Rogers carved detailed scenes. Unlike many Europeans, he carved "Genre" scenes, not neoclassical ones. Also, he worked in terracotta and plaster, not marble. But his carvings are no less exacting than those by his European counterparts.
I saw a neat sign pointing out how a frame's design can complement a painting.
Fodder for Luce Foundation Center Panorama