Up to London (as an expat, again) - October 23rd-December 15th 2010

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December 8th 2010: Saatchi Gallery


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I like the feel of the paint in this row by Ansel Krut.  I ignore the 
content.
Swarm of hung, dessicated insects by Tessa Farmer, many with tiny 
skeletal riders.
Close-up. A dragonfly bus?
In the basement of the Saatchi Gallery is Richard Wilson's 20:50, a special room. Looking down, it looks like you're looking deep into a pool with a mirrored bottom, but you're not! It's actually some sort of reflective metal liquid that's perfectly smooth, and the colors in the rest of the room seem chosen so that when they reflect through the pool, it plays another trick on the eyes.
You have to see it to understand.
I like the feel of the paint in this row by Ansel Krut. I ignore the content.
Swarm of hung, dessicated insects by Tessa Farmer, many with tiny skeletal riders.
Close-up. A dragonfly bus?
Close-up. The figures look like their astronauts doing tricks on their 
first spacewalk.
Close-up. Hanging on for dear life!  Makes me think of Avatar, where one 
rider tries to assert dominance over the creature and any others people 
get thrown off.
A video of the swarm, an attempt to capture the three-dimensionality of 
it.
Cipher by Anne Hardy could be a game clue.  Look at all the 
numbers.
Close-up. The figures look like their astronauts doing tricks on their first spacewalk.
Close-up. Hanging on for dear life! Makes me think of Avatar, where one rider tries to assert dominance over the creature and any others people get thrown off.
A video of the swarm, an attempt to capture the three-dimensionality of it.
Cipher by Anne Hardy could be a game clue. Look at all the numbers.
Toby Ziegler's giant piece, Designated for Leisure, is made 
entirely of six-sided shapes (and implicitly of the six-pointed stars 
created where they meet).
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A series of paintings of porcelain.  It feels to me as if the artist, 
Josefina Guilisasti, is making a statement about museums and 
collections.  I can't imagine the patience it must've taken to paint all 
these.
An art critic's interpretation of the series.
Toby Ziegler's giant piece, Designated for Leisure, is made entirely of six-sided shapes (and implicitly of the six-pointed stars created where they meet).
Clarisse D'Arcimoles had an interesting idea. Take a picture of a family member as a child and mount that picture next to the same person grown up, but in the same setting and dressed in clothes with an identical pattern. In short, make it look like the person changed but nothing else.
A series of paintings of porcelain. It feels to me as if the artist, Josefina Guilisasti, is making a statement about museums and collections. I can't imagine the patience it must've taken to paint all these.
An art critic's interpretation of the series.
Finn Magee's flat lights. Yes, they really are flat, but they give 
off light and have the same feel, the same warm glow, as a real lamp.
Side-view, to prove they're flat.
Intriguing math/geometry cards, and perhaps more game clue fodder.
The explanation accompanying the cards.
Finn Magee's flat lights.
Yes, they really are flat, but they give off light and have the same feel, the same warm glow, as a real lamp.
Side-view, to prove they're flat.
Intriguing math/geometry cards, and perhaps more game clue fodder.
The explanation accompanying the cards.
Large glass balls that serve as piggy-banks.  Think about it.  
Poetic.  (See the next picture.)  break the 
bank
The accompanying label.
A video of a digital clock made from twenty-four analog clocks.  Wait 
for the hands to stop rotating and you'll see what I mean.  It goes 
through a dance like this every minute.
The accompanying label.
Large glass balls that serve as piggy-banks. Think about it.
Poetic. (See the next picture.) break the bank
The accompanying label.
A video of a digital clock made from twenty-four analog clocks. Wait for the hands to stop rotating and you'll see what I mean. It goes through a dance like this every minute.
The accompanying label.